With ''Body Heat,'' the steamiest, most thoroughly satisfying melodrama about love, lust and greed to be seen since Billy Wilder's ''Double Indemnity'' and Tay Garnett's ''The Postman Always Rings Twice'' (forget about this year's lethargic remake), Lawrence Kasdan, heretofore known as a screenwriter (''Raiders of the Lost Ark,'' ''Continental Divide''), suddenly emerges as a member of the American directing elite.
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